BLESS

Bless's signature is top quality materials, full stop. Nevermind the design, the confidence you get from these pieces is in knowing the every care was put into the making of, shape of, fall of, and style of the thing. So this piece dog-whistles all the usual shirting formalities, but is big and open at the bottom and on the inner sleeves. This version is a luxurious blend of cashmere and silk, for a super soft and light feel. If you're concerned about the poncho-qualities, just wear a layer underneath. Unisex.

This classic shetland wool crewneck sweater features very un-classic brown wooden beads at the elbows. Think taxi, not professor. Unisex.

This classic shetland wool crewneck sweater features very unexpected pearly beads at the elbows. Think elegant, not dippin' dots. Unisex.

A limited edition, ultralight sweater made of embroidered wools. Unisex.

More than a hat, it's fat, and it's a fatknit. Like, very very puffy. It's as fun and cute an humorous and practical as you want it to be. Soft and flexible and the perfect cherry on top of your outfit. Looks great on all! Unisex.

A fantastic new version of this longtime collaborative style, originally developed with Stand Up Comedy as part of its No. 46 Contemporary Remediation collection. This new addition to the collection is a two-piece style, able to be worn separately. These one-of-a-kind pieces are sourced from vintage blazers, and remade into a cropped suit jacket, paired with a variation on the original Demimoore Bag. 

This bag is something of a cross between apron, backpack, and utility vest. Adjustable canvas straps, large, lined, exterior pockets. Instead of interior zip pockets, this features roomy, hidden slip pockets made with the original silky lining of the coat. A button closure on the bag portion is also new. Its success lies in the balance—literally, as an object that distributes weight and proportion with perfect harmony; conceptually, as a commodity that appears both useless and useful, is fanciful and practical, that reflects both a nostalgic moment and an innovative hypothesis. Unisex.

These swim shorts feature BLESS's 25-year jubilee print. Fully lined, with elastic and drawstring waistband. The fabric is an unusual feel, very silky.

An adjustable LED light, decorated with hand-beaded multicolor fringe. Lamp level–think several candles. Powered via USB. Approximately 6'.

Don't hide away unsightly, but necessary tools. Made for US outlets; European outlets require adapter. As practically unusual as they appear. 3-prong ground plug/socket; 94.5" long (approximately 7.75 feet).

NB: This version is significantly longer than previously rendered.

Don't hide away unsightly, but necessary tools. Made for US outlets; European outlets require adapter. As practically unusual as they appear. 3-prong ground plug/socket; 94.5" long (approximately 7.75 feet).

Not just a rock. Not just a glass. An object of fascination, derision, humor, and delight. Highly impractical, but so delightful. This glassware makes you think when you sip. The rocks are real, as is the stemware, so use at your own risk. Each is unique, of course. The glass portion screws into the threaded rock for a solid foundation, and for easy cleaning, so there's something practical there, we guess. One of our favorite objects ever from Bless. Shelve any dubious feelings you may have, in order to really enjoy.

The No. 77 collection is about workers, of all kinds and stripes. They've produced this decorative tribute tin, in acknowledgment of the individuals that work within their own studio, and in honor of the brands 25th year. The object is embossed with a few of their signature objects and designs, and notated on the lid with a few of their more memorable phrases describing their collections: "10 Years of Themelessness" "Always Stress with BLESS". Perfect for your favorite BLESSHead. 

From their iconic series, the Sunshields make their heroic return in rose lens/silver arms. Sunglasses that are what they say they are. From the No. 20 collection.

This one has been around for a while, but still a very rare find. Seatpadding is a domestic object that addresses the dilemma of dreary, but sometimes necessary plastic furniture. Take the humble patio chair, which is fairly standard in its measurements, and quite upsetting to look at while it's naked. Take instead this seat covering, which is anything but humble; it's in fact exceedingly clever, cool, and unexpected. Everything you would want in a great house guest. It's two layers of fabric—printed cotton in pedestrian brick motif, with a custom woven tapestry on the other side. In between is upholstery padding in three distinct sections (seat, back, head), providing structure, shape, and maximum comfort to an object that normally offers not much but pain. One could conceivably toss this cover on any number of chair-like manifestations and be successful. Reversible.

New in their series of domestic objects, linens, curtains, examinations of home and travel and friendships and work life and how it all comes together to bring comfort and memories to bear, even as time marches relentlessly forward. This set is two panels, image taken on holiday in Marseille, France. A view out the window on to another world, a new way of dreaming. The bottoms are weighted, good for either draping or a nice, even hang. 

One of their first objects. Form, language, style. Reissued in a special color. Hang it on the wall, keep it on your desk.

Tennis socks by Bless! Embroidered logo around the ankle. Terry cushioned footbed, medium weight soft rib. Reinforced toe, mid-calf length. Unisex.

The below excerpt regarding the book is in BLESS's own words:

2022 marked the 25th anniversary of BLESS. Since 1997, Desiree Heiss and Ines Kaag have been working together on numerous transdisciplinary projects. Dubbing themselves ‘situation designers,’ their products blend fashion, art, design, architecture, business and social practice, always aiming to create an equilibrium between mental and physical exertion. Driven by the ambition to create objects for everyday use, BLESS defines her practice and products as a way of life—based on the firm belief that one can shape life today in a way that creates a future worth living in.

The third publication of the Paris and Berlin based designers is one of the three outcomes of the project A Year with… BLESS N°72 BLESSlet, with which KW Institute for Contemporary Art honored the anniversary. The publication encompasses BLESS’s collection and projects from 2010 until 2022, with written reflections on their innovative and witty work by Douglas Fogle and Hanneke Skerath, Anna Gritz and Krist Gruijthuijsen, Nakako Hayashi, Tom McCarthy, and Jeppe Ugelvig.

A collaboration with Stand Up Comedy as part of its No. 46 Contemporary Remediation collection. Inspired by the stellar costume design in Adrian Lyne's Indecent Proposal (1993), specifically the iconic bag/pack worn by Demi Moore. It is only through the production of this piece that our near life-long, and thoroughly unhealthy obsession with the original, has ceased. Thank you, BLESS!

This bag is something of a cross between apron, backpack, and utility vest. Adjustable canvas straps, large, lined, double pockets—separate interior and exterior, Riri zips. Its success lies in the balance—literally, as an object that distributes weight and proportion with perfect harmony; conceptually, as a commodity that appears both useless and useful, is fanciful and practical, that reflects both a nostalgic moment and an innovative hypothesis. Unisex.

Measurements (taken lying flat):
Width (open, bottom hem from left to right ends): 44"
Strap length: 30" longest; 15.5" shortest

NEW AND IMPROVED!: A collaboration with Stand Up Comedy as part of its No. 46 Contemporary Remediation collection. Inspired by the stellar costume design in Adrian Lyne's Indecent Proposal (1993), specifically the iconic bag/pack worn by Demi Moore. It is only through the production of this piece that our near life-long, and thoroughly unhealthy obsession with the original, has ceased. Thank you, BLESS!

This bag is something of a cross between apron, backpack, and utility vest. Adjustable canvas straps, large, lined, double pockets—separate interior and exterior, Riri zips. Its success lies in the balance—literally, as an object that distributes weight and proportion with perfect harmony; conceptually, as a commodity that appears both useless and useful, is fanciful and practical, that reflects both a nostalgic moment and an innovative hypothesis. Unisex.

Measurements (taken lying flat):
Width (open, bottom hem from left to right ends): 44"
Strap length: 30" longest; 15.5" shortest